Boredom has been one of the basic concerns of modern man from the beginning of the modern era. As an existential philosopher, Kierkegaard talks about boredom as a mood which is a characteristic of the aesthetic life – a life-view based on seeking pleasure and immediacy. From his point of view, the most fundamental task of life is the task of becoming an individual; and moods play a vital role in taking the first steps towards this goal. Thus, the relationship between aesthetics and boredom becomes important for us, and I intend to investigate the role of boredom in relation to the different meanings of aesthetics. Either/or, the novelistic work of Kierkegaard, is the main source of this research, which contains numerous aesthetic essays and autobiographic fragments that introduce us to the aesthetic life-view and aesthetic insights of the author. In the first volume of this book, through one of the essays of "A" - the aesthete -, which is entitled "Crop Rotation", we are presented with the most comprehensive views of Kierkegaard on boredom. In this thesis, after I cover the aesthetics in A’s life and views and its relation to boredom while going through the text word-by-word, I aim to shed more light on Kierkegaard's aesthetics as an author which is reflected in Either/or as a literary work. Kierkegaard is a religious poet who applies a special kind of aesthetics in his pseudonymous works with a key quality in the method of communication: Indirect Communication. I will argue that in proportion to the aesthetic approach we obtain, one can either overcome boredom or can keep intensifying it and stay in the loop of aesthetic life.